encontrado 160345 Resultados para archival images
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Mathieu Lauweriks - Flower Face - 1894 (1935) - The composition is highly symmetrical and uses precise, mathematical linework. He often used geometric systems to convey spiritual significance, a common theme in his graphic art.
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Charles Bétout - The Crow - 1905 - depicts a stylized theatrical or costume design featuring large feathered wings attached to the arms.
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Mathieu Lauweriks - Floating Fgures with Two Birds of Prey -1894 (1935) - The central figure is a stylized woman with arms outstretched, positioned under the word "EROS". She is flanked by two large birds of prey and stands above another figure and a patterned path.
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This image is a vintage alchemical illustration of Python Mercurius (also known as the Mercury Python), depicted as a three-headed dragon. It originates from a German alchemical and Rosicrucian compendium dating to approximately 1760. In Greek mythology, Python was the earth-dragon that presided over the Delphic oracle before being slain by Apollo. In an alchemical context, this figure represents Mercurius, a complex chimeric entity central to the transmutation process. It is often associated with the concept of the "living mercury of the philosophers" or the prima materia.
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The work is attributed to several designers, typically including Marcel Multzer (1866–1937), Maurice de Becque (1878–1938), and Armand Almann. These artists often worked together on costume sketches and theatrical illustrations during the early 20th century.
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Egon Schiele (1890–1918) - Portrait of a Woman - Postcard of the Wiener Werkstatte No. 289 - 1910
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Rudolf Bauer (1889–1953) - The piece features a man in formal attire—specifically a tailcoat, a bowler hat, and striped trousers—standing next to a minimalist, red-outlined chair. Rudolf Bauer was a prominent figure in the Expressionist and abstract art movements. While this specific work is more figurative, he is widely known for his non-objective paintings and his association with the Guggenheim Museum's early history.
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Egon Schiele (1890–1918) - Portrait of a Woman - Postcard of the Wiener Werkstatte No. 288 - 1910
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This image is a watercolor illustration titled "Se erscheinet der Aomodais. Dirus" from an 18th-century German manuscript known as the Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros. The manuscript is a rare demonology book containing over thirty watercolors of demons and magical signs. The overall title of the work translates to "A Rare Compendium of the Whole Art of Magic Systematized by the Most Famous Masters of This Art".
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Krampus with Child - Designs from the Wiener Werkstätte were often produced by various artists within the collective, and specific individual attribution can be difficult or unrecorded.
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Louis Le Breton - Eurynomos - 1863 - Eurynome is a superior demon and prince of death. He wears a fox skin to cover the sores covering his body, and he has huge teeth. According to ancient descriptions, this entity fed on carrion and dead bodies.
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Shadow Puppet
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André Dunoyer de Segonzac - La Mêlée - Original Etching 1927 - The Rugby Scrum
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William Frederick Wallett), a celebrated English jester and circus performer - William Frederick Wallett (1813–1892) was known as the "Queen's Jester" due to his popularity in Victorian England. He was a prominent figure in the circus and theatrical world of the 1800s, often celebrated through various prints and musical compositions like "The Motley Polka". This specific illustration belongs to a collection of prints showcasing clowns and jesters from the nineteenth century. These images captured the costumes and characteristic poses of famous performers from that era, such as Richard Flexmore
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Giovanni Battista della Porta - image is an engraving from a 1680 edition of Magia Naturalis (Natural Magic) - It features a divine, anthropomorphic winged being representing a macrocosm/microcosm conjunction. Magia Naturalis was a popular 16th-century work that bridged the gap between natural science and occult philosophy.
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